The Amityville Podcast

55 - Amityville Frankenstein (8/12/23)

Sorry for the delay. Apparently we set something on the server to "bad'. We aren't sure when it happened, before or after we watched the movie, because woof. Frankenstein

54 - Amityville Elevator (8/12/2023)

It's in Amityville. People are on an elevator. There are thankfully no fart jokes. Beyond that, what is there to talk about? We take an hour to try and figure that out.

53 - Subhuman: The Amityville Experiment (6/30/2023)

Not to be confused with Subspecies, which we said a while ago we would dive into once we were caught up. We should never have made that promise. Sisyphus may have come to

52 - Amityville Ride Share (3/19/2023)

Ride Share is almost a clever title, because the movie carpools a bunch of stuff from the maker's other works, just crams them all into a buggy then we watch as they all

51 - Amityville Outhouse (1/22/2022)

An anthology, with sort of a wraparound. There's an outhouse. Green screen. Probably made during some stage of lockdown. Who knows? Who cares? Poop jokes. All in the name

50 - The Dawn (01/10/2020)

This one popped up on some but not all lists of Amityville films, because finding all of the Amityville films is the only way to unlock the clues that lead to the Great A

49 - Prey Terror in Amityville Park (09/01/1978)

When looking under every rock for these movies, we somehow forgot to look to the 70's European market, where things like copyrights and titles were to be shared like they

C06 - Scream VI (03/26/2023)

We close out the Scream franchise. It goes as expected. A correction for the end of the episode, we will be going back to Amityville before out next franchise, which is a

C05 - Scream V (01/14/2022)

The first of the post-Craven installments, and the relaunch of the franchise in the era of terms like "elevated horror" and "requel". A new cast takes the lead, while the

C04 - Scream 4 (4/15/2011)

Wes Craven's final film, plus a return to the franchise in general after over a decade past that third one. I wonder if we'll have anything to talk about? Oh, the origina

C03 - Scream 3 (2/4/2000)

Tom and Pat get back into alignment on this entry, that either closed out the trilogy or ground the series to a halt for years. But we still find things to disagree about

C02 - Scream 2 (12/12/1997)

Someone has taken their love of sequels too far. Or not far enough. Either way, we debate this follow up to the genre pivot point from the previous year. And speaking of

C01 - Scream (12/20/1996)

Kicking off another sidequest while the Amityville series recharges (and boy howdy did it!), we take on a series loved by one of us, not so much by the other. While we bo

48 - Amityville Death Toilet (3/17/2023)

Sometimes a long running but all over the place franchise will have a small budget entry sneak out and be one of the best the series has ever had, concentrating on charac

47 - Amityville Curse (5/28/2023)

An in-franchise semi-remake about house flippers. We keep track of these things, I suppose. This one has a bigger budget than the usual stuff, but does that mean a bump i

46 - Amityville Emanuelle (5/8/2023)

Two overlong franchises full of knock offs and spin offs finally hook up. Is it super hot and steamy, like a good coffee, or is it exhausting and tepid, like a bad coffee

45 - Ghosts of Amityville (11/22/2022)

And we're back to our core franchise. What was waiting for us? A family quarantine project. Yes, it's a narrative, but it's also another home video that got distribution

B11 - Hellraiser XI - (9/28/2022)

Finally we wrap things up with the Hulu reboot, which calls back to the franchise in several ways while completely reimagining in others. Will there be more? We have no w

B10 - Hellraiser X: Judgement (2/3/2018)

It definitely feels like this franchise has had more endings that others. And here's another, the last of the Gary Tunnicliffe era, before the big budget relaunch by Hulu

B09 - Hellraiser IX: Revelations (10/18/2011)

This week we watch the first of the series to not feature Doug Bradley. An entry produced primarily to retain the rights, and filmed on what would be a shoestring budget