Music · Joshua Weilerstein
by Joshua Weilerstein
Sticky Notes is a classical music podcast for everyone, whether you are just getting interested in classical music for the first time, or if you've been listening to it and loving it all your life. Interviews with great artists, in depth looks at pieces in the repertoire, and both basic and deep dives into every era of music. Classical music is absolutely for everyone, so let's start listening! Note - Seasons 1-5 will be returning over the next year. They have been taken down in order to be re-recorded in improved sound quality!
Position in the Music chart (US), last 90 days.
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Where Sticky Notes: The Classical Music Podcast ranks today in each Apple Podcasts chart (US, Sep 5, 2026).
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I’m a carer for a woman with dementia and we listen to your podcast all the time. It’s the perfect amount of music and history. The host, Joshua’s information is smart and witty. My client knows a lot about classical music and I know nothing but ironically we both love the show. She also speaks French and really appreciates your French shows. Thank you SO much for your entertaining information and beautiful music!
As usual, I learned so much about the composer and this piece of music. I had never heard this symphony before, and now I look forward to hearing it again in a live performance. Bravo to Maestro Weilerstein !
Josh Weilerstein is a deeply knowledgeable , warm, enthusiastic guide to classical music. Imagine a museum guide who opens new ways of seeing- Josh opens new ways of hearing, deepening and contextualizing a wide variety of pieces.
As a composer and a college teacher of composition harmony/counterpoint, Asian musics, and 20th century music history for 47 years, I am delighted to say that I always enjoy your deep engagement with the music (and its background) and in spite of my long experience I also always learn something or have a long held notion vividly reinforced. Favorite recent episodes have been on Zemlinsky's The Mermaid and on Tapiola. I agree that the latter is one of the very great masterpieces. Most of its radicalisms which you describe astutely are also present 30-some years earlier in his En Saga, contemporaneous with Debussy's Faune, and perhaps an even more original view of the musical future. Not to say that's the most important thing. But yes Morty Feldman was so right about Sibelius.
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