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Klara and the Sun: Taika Waititi’s Flat Future

Taika Waititi tackles Kazuo Ishiguro’s AI novel with Jenna Ortega as a robot companion praying to the sun to be chosen, and it should have been a perfect match. It wasn’t

X: What If a Slasher, But With Porn?

Ti West’s A24 horror comedy drops a crew of scrappy adult filmmakers onto a Texas farm owned by a very unhappy elderly couple, and it’s as wicked as it sounds. We talk Mi

The Ghost in the Machine

Paul Bettany returns as Vision in Marvel’s “VisionQuest,” a “WandaVision” follow-up about an android trying to understand his own feelings. We talk about why a Victorian

The Next Big Things

From Venice to Telluride to TIFF and NYFF, this fall’s festivals introduced a fresh wave of performers poised for stardom. We meet seven standouts, including Mathilde Arc

Wildwood: Laika Goes Full Epic

Laika’s sixth feature is its biggest swing yet, a 130 minute stop motion fairytale about a Portland girl chasing a murder of crows into a forbidden wilderness to save her

Ray Gunn: Brad Bird's Love Letter to Noir and Sci-Fi

Brad Bird's Netflix animated mashup premiered at the London Film Festival, and it throws Bogart noir, "Blade Runner," "Roger Rabbit" and the Star Wars cantina into one bl

Software, Not Satan: Cupertino and the Soul of AI

Robert and Michelle King trade Chicago for Silicon Valley in CBS's new legal drama Cupertino. We dig into how Mike Colter and Rachel Keller's scrappy law firm takes on AI

The Social Reckoning: Sorkin Logs Back In

Sorkin returns to Facebook sixteen years after The Social Network, this time with the whistleblowers. We dig into whether the sequel earns its place, what Fincher's absen

Artificial: Andrew Garfield's Terrifying Sam Altman

Luca Guadagnino's OpenAI origin story premiered at NYFF after Amazon reportedly got cold feet about releasing it, and once you watch it, you understand why. Andrew Garfie

A Statement: What We Already Knew in 1980

Tom McCarthy recreates an actual 1980 congressional climate conference, pulling dialogue straight from real transcripts, and the result is quieter and stranger than you'd

Behemoth!: Pedro Pascal Learned the Cello For This

Tony Gilroy's first film since "The Bourne Legacy" follows a session cellist drifting through affairs, movie score gigs, and a mystery involving a teenage avant pop star.

Cameron Winter at Carnegie Hall: One Voice, One Piano, 75 Minutes

Paul Thomas Anderson points a camera at Cameron Winter alone at a Steinway for 75 minutes, and somehow it's one of the most hypnotic concert films in years. We talk Dylan

A Plea Instead of a Roar

Mike Flanagan reimagines Stephen King's "Carrie" as a teen drama about modern high school, and in the process loses most of the horror. We talk about why this telekinetic

Genre Games for Globes Gold

Studios are deciding whether to campaign films like "Michael," "Obsession," and "Wildwood" as dramas or comedies, and the strategy could reshape the whole race. We dig in

Breaking Up Is Fun to Do

Sienna Miller and Dominic West play a billionaire couple locked in a scorched-earth divorce in HBO's new legal drama "War." We dig into why creator George Kay makes watch

Monsters Born, Monsters Made

Florence Pugh and Hoon Lee anchor Zoe Kazan's ambitious Netflix adaptation of Steinbeck's "East of Eden." We talk about Pugh's chilling turn as the manipulative Cathy Ame

You Can See Everything: Inside Elizabeth Holmes' Head

Nathan Fielder spends 174 minutes trying to figure out what actually makes Elizabeth Holmes tick, and then the documentary pulls a move nobody saw coming: it brings in Am

Verity: The Colleen Hoover Curse Continues

Dakota Johnson and Anne Hathaway star in the fourth Colleen Hoover adaptation, and Hollywood still hasn't cracked the code. We talk about the bloodiest meet cute of the y

A Mother's Lens: Inside Making Marie Antoinette

Twenty years after Sofia Coppola's "Marie Antoinette" hit theaters, we're talking about the documentary her late mother Eleanor quietly built from 80 hours of behind the

Drill, Baby, Drill: Inside Digger's Disaster

Tom Cruise plays a fossil fuel titan under mountains of jowly makeup, Alejandro G. Iñárritu wants to make his generation's "Dr. Strangelove," and somewhere in between the