Music · John 00 Fleming
by John 00 Fleming
Calling John's life in electronic music anything less than extraordinary would be a considerable understatement. Over the last two decades he's been behind 30 music-compilations and artist albums, which have sold cumulatively in excess of 10 million copies. Of which 10 of his mix compilations and five single releases have made the UK's national Top 40 (on major labels including Virgin, EMI and Warner Music), whilst his most recent club tracks have resulted in a succession of Beatport top 10 chart positions. As a DJ his club, arena & festival showings are legion. Everywhere from the UK's Ministry of Sound and GodsKitchen to Cielo and Avalon in the US (and most points in between) have played host to his night-to-dawn sets. He's also a mainstay at festivals like Global Gathering, Dance Valley, Serbia's Exit, Brazil's Exxxperience, Australia's Future Music, Belgium's Tomorrowland and EDC. He's soundtracked a number of Hollywood film & TV productions, most recently scoring 'The Colour Of Time' - the James Franco/Mila Kunis/Jessica Chastain-starring biog of Pulitzer winner C.K. Williams. He's composed music for various BBC movies, dramas & shows (inc. BBC2's world-spanning Top Gear), as well as for channels as diverse as Discovery, National Geographic and MTV. John's a regular at London's Abbey Road studios, where he's previously worked with the illustrious Royal Philharmonic Orchestra. Labelled "a national treasure of trance music" by Radio 1's Pete Tong, John has dropped his brand of underground science at more than 160 venues over the last three years. His record label J00F Recordings and his radio show, JOOF Radio (broadcast on DI. FM) provides the most diehard of fanbases' with their monthly fix of J00F.
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Where John 00 Fleming presents JOOF Radio ranks today in each Apple Podcasts chart (US, Nov 12, 2026).
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There is no other artist that has captured me the way that Fleming has. Since that first time hearing Global Trance Grooves on di.fm and streaming from Ministry of Sound’s website circa 2002 (having first seen Fleming at raves and clubs in person before and many times after), it has been my go-to for GREAT music and his style and quality is simply unmatched. Whether driving, sleeping, exercising, working, Fleming’s mixes and his amazing guests are always just what the doctor ordered. Never gets old.
The Joof episode 025/ Pharmacy 065 combo was a real treat- maybe they can do this every 6 months or annually! So good to hear from 2 very different areas, led to similar music pathways. It was as enjoyable as it was informative! Thank you all for who was able to make this happen.
I’ve started listening to this podcast on early 2019, and man I waiting for it every month. By mid of 2019 the sound of the podcast became more clear to me, and John kept on moving on a lane of magical dark tunes that I can’t help but love it from the bottom of my heart. At early 2020, the radio show dropped the “trance” word and that just made it better and better, John did went above and beyond with his amazing sound and really nailed it. It’s the only podcast that keeps on surprising me with every episode, and failed to bore me or disappoint my expectation. Really great work. Salute to John and the JOOF Family.
Remember the deep Trance with driving bass rhythms, with layers of crescendo and decrescendo synth and waves of progressive, when the tracks were each a brief elation of sound and a journey into the sound itself? Remember trance when it branched from Techno and before it was wrongfully labeled into the EDM category? Remember deep Trance originals like “Take The Long Way Home” by Faithless, “Imagine” by AVB, and “Exceed” from the Junk Project Vol. II collection, and Digital Blonde’s high tempo melodic and rhythmic cuts? Well, that’s the style of Trance you’ll find on this tremendous and fantastic to the core, podcast!
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Here you find the Apple Podcasts chart positions of John 00 Fleming presents JOOF Radio, its latest episodes to listen to directly, and reviews from listeners. Rankings are updated daily for the United States.
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