Are you for sale?

Beg, Borrow, Steal (Back) - How Dance Artists in the U.S. fund their work

In this episode Miguel interviews colleagues in various locations throughout what is currently called the United States. Together they examine operating inside of a syste

International relationships to art and money...is the grass (money) greener?

Miguel interviews a suite of international artists to understand how it works (or doesn't) in other places. Featuring conversations with Simone Aughterlony, Dana Michel,

The NEA 4: Scandal, Hearsay and Misrepresentation...do you prefer your art censored?

In this episode, Miguel interviews three of the original NEA 4: Holly Hughes, John Fleck and Karen Finley. Miguel also speaks with John Frohnmayer, who was the Chairman o

Tax Funded Smut Here! Government Funding Woes.

In the first of two episodes about government funding, Miguel offers various ways that dance and performance received “public” money, including some sources that may surp

The History of Rich White Men…. oops, Philanthropy!

In this episode Miguel offers some history on the relationship between art and money to see how we got to where we are now. This episode features a conversation with Edga

How much is that dance piece in the window?

What does it mean when we [dance artists] get paid? And where does that money come from? That's what we're going to talk about here on "Are You for Sale?" Welcome to the

Are You For Sale? Teaser - Opening Song

Transcript of audio: [Strumming Music Sound] Voice 1 (Edgar Villanueva) Philanthropy as a sector exists because of capitalism and the accumulation of wealth in the fir