Dolby Creator Talks

309 - The Sound of Battlefield 6

The audio team behind “Battlefield 6” sits down with Dolby's Alistair Hirst to explore the immersive, visceral, and detailed sound of all-out warfare. The team discusses

308 - Olivia Wilde and Adam Newport-Berra on the Cinematography of The Invite

Director and star Olivia Wilde and Emmy Award®-winning cinematographer Adam Newport-Berra join us to discuss their creative collaboration on “The Invite” — a deceptively

307 - Walter Murch on the Languages of Film Editing and Sound Design

Legendary editor, sound designer, writer, director, and seminal author Walter Murch returns to the show to discuss his latest book, “Suddenly Something Clicked: The Langu

306 - The Music of The Social Reckoning, with Composer Alexandre Desplat

Two-time Academy Award®-winning composer Alexandre Desplat returns to the show to discuss his score for Aaron Sorkin’s “The Social Reckoning.” In this conversation, Despl

305 - Director Lance Oppenheim and the Making of Primetime

Lance Oppenheim returns to the show to discuss his first-ever narrative feature film, “Primetime,” starring Robert Pattinson as “To Catch a Predator” host Chris Hansen. H

304 - The Exuberant Sound of Ha-Chan, Shake Your Booty! with Director Josef Kubota Wladyka

Winner of the Dolby Creator Lab Grant, “Ha-Chan, Shake Your Booty!” also earned director Josef Kubota Wladyka the Directing Award in the U.S. Dramatic Competition at the

303 - The Immersive Sound of Cairn

The sound team behind “Cairn” joins guest host Alistair Hirst to discuss the immersive sound design and mix of this survival-climbing game from acclaimed French indie stu

302 - The Art of the Rewrite, Hosted by Carlos López Estrada

Rewriting can be one of the hardest, most important, and most mysterious parts of the writing process. In this panel discussion, Academy Award®-nominated filmmaker (and D

301 - How Spider-Noir Was Shot Twice... at Once

Showrunner Oren Uziel and director of photography Darran Tiernan join us to discuss how Prime Video’s “Spider-Noir” was designed, shot, and finished for two distinct visu

300 - The Groundbreaking, Immersive Sound of Mexodus

The Audible Original® adaptation of “Mexodus” brings the acclaimed Off-Broadway musical into a new immersive audio experience in Dolby Atmos®. Created and performed by Br

299 - Creator Lee Sung Jin and the Emmy-Nominated Team Behind Beef Season 2

Season two of Netflix’s anthology series “Beef” received 16 Emmy Award® nominations, including recognition for its bold cinematography and meticulously crafted sound. In

298 - The Music of Spider-Man: Brand New Day, with Composer Michael Giacchino

Academy Award®-winning composer Michael Giacchino returns to Dolby Creator Talks for his fifth appearance, this time to discuss his latest score for “Spider-Man: Brand Ne

297 - The Grammy-Winning Immersive Music of Justin Gray’s Immersed

Justin Gray’s Grammy®-winning album Immersed was composed, recorded, produced, mixed, and mastered all with Dolby Atmos® in mind, from the very beginning. In this convers

296 - The Music of Supergirl, with Composer Claudia Sarne

Composer Claudia Sarne joins guest host Jon Burlingame to discuss her bold, hybrid score for “Supergirl,” and how she blended orchestra, choir, synths, and experimental t

295 - The Sound of Steven Spielberg’s Disclosure Day

*NOTE: This episode contains spoilers. “Disclosure Day” is at once a conspiracy thriller, a first-contact story, and a wildly inventive showcase for cinematic sound. In

294 - The Magic of Harry Potter: The Full-Cast Audio Editions in Dolby Atmos

The team behind Pottermore Publishing and Audible’s “Harry Potter: The Full-Cast Audio Editions” joins guest host Richard Addis to discuss one of the most ambitious audio

293 - The Voice and Sound of Star Wars: Maul - Shadow Lord

Sam Witwer — the voice of Maul himself! — joins us alongside supervising director and executive producer Brad Rau and supervising sound editor, sound designer, and re-rec

292 - The Epic Sound of the Stranger Things Finale

The sound of “Stranger Things” has always been huge, cinematic, and unmistakably its own — and the series finale takes that signature style to its most epic scale yet. In

291 - The Sound of Tuner, with Leo Woodall and Johnnie Burn

“Tuner” is a rare film where sound is not only essential to the cinematic experience — it is central to the story itself. Today we welcome back Academy Award®-winning sou

290 - Mariah Carey Live in Dolby Atmos, with Mix Engineer Paul Falcone

Front of house mix engineer Paul Falcone joins host Ben Givarz to discuss how he helped bring Mariah Carey’s residencies at Dolby Live at Park MGM in Las Vegas to life as