The Rough Cut

Being Heumann

Editor – Geraud Brisson, ACE Being Heumann editor Geraud Brisson, ACE returns to The Rough Cut for a film that reunites him with CODA director Siân Heder. Their latest co

Lanterns

Editors – Vikash Patel, Matthew V. Colonna, ACE and Emily E. Greene, ACE Lanterns editors Vikash Patel, Matthew V. Colonna, ACE and Emily E. Greene, ACE return to The Rou

Heart of the Beast

Editor – Dody Dorn, ACE For Heart of the Beast, editor Dody Dorn, ACE was tasked with cutting a survival thriller built around one man, one dog and an unforgiving wildern

Resident Evil

Editor – Joe Murphy and Music Editor – Scott Hedrick Resident Evil editor Joe Murphy and music editor Scott Hedrick join The Rough Cut to discuss the picture and music ed

The Musical

Editors – Chris Chandler and Devin Dulany The Musical editors Chris Chandler and Devin Dulany discuss cutting a dark comedy that turns professional frustration, romantic

Finding Emily

Editor – Phil Hignett Finding Emily editor Phil Hignett returns to The Rough Cut to discuss cutting a romantic comedy built around music, timing, chemistry and the diffic

The End of Oak Street

Editor – John Axelrad, ACE The End of Oak Street editor John Axelrad, ACE returns to The Rough Cut to discuss cutting a science-fiction thriller that takes an ordinary su

Spider-Man Brand New Day

Spider-Man: Brand New Day Editors – Nat Sanders, ACE; Harry Yoon, ACE and Gina Sansom Spider-Man: Brand New Day editors Nat Sanders, ACE, Harry Yoon, ACE and Gina Sanso

Avatar - The Last Airbender S2

Editor – Payton Koch For Avatar: The Last Airbender editor Payton Koch, this job offered a very different kind of editorial challenge from his Emmy-nominated work on Only

Backrooms

Editor – Greg Ng BACKROOMS editor Greg Ng joins The Rough Cut to discuss cutting a film built around liminal spaces, analog horror, slow-burn tension and the challenge of

Tuner

Editor – Greg O'Bryant Tuner editor Greg O'Bryant returns to the podcast to discuss cutting a film that is part crime thriller, part romance, part character study, part m

Widow's Bay

Widow's Bay Editors – Isaac Hagy, ACE; Kyle Reiter, ACE and Jen Bryson The editors of Widow's Bay may not live on a cursed New England island, but after years of working

Spider-Noir

Spider-Noir Editors – Jennifer Barbot, ACE; Tirsa Hackshaw, ACE; Eric Kissack, ACE and Geraud Brisson, ACE Although the editors of Spider-Noir may have all arrived at t

BEEF - Season 2

Editors - Laura Zempel, ACE and Lauren Connelly, ACE Although BEEF - Season 2 editors Laura Zempel and Lauren Connelly are working together for the first time, this is La

Hokum

Editor - Brian Philip Davis Hokum editor Brian Philip Davis teams up once more with director Damian McCarthy.  Prior to this film the two joined forces to craft McCarthy'

Wonder Man

Editor - Nena Erb ACE and Asst. Editor Gioia Caruso Wonder Man editor Nena Erb and her assistant Gioia Caruso first worked together on the R-rated road trip comedy, Joy R

Project Hail Mary

Editor - Joel Negron ACE, Sound Designers - Erik Aadahl and Ethan Van der Ryn Project Hail Mary editor Joel Negron says that one of the first calls that he makes when he

Mike & Nick & Nick & Alice

Editor - Tim Squyres, ACE Mike & Nick & Nick & Alice editor Tim Squyres has over three decades of experience working with directors such as Ang Lee, Robert Altman and Jon

Hoppers

Axel Geddes ACE, Tony Greenberg, Chloe Kloezeman, Geoff Sledge, Ayesha Johannes The Hoppers editing team of Axel, Tony, Chloe, Geoff and Ayesha understand better than any

How to Get to Heaven from Belfast

Editor - Nigel Williams How to Get to Heaven From Belfast editor Nigel Williams once again finds himself cutting with showrunner Lisa McGee.  Having first worked with McG