TV & Film · Vanity Fair
by Vanity Fair
Vanity Fair’s Little Gold Men takes you inside the world of film and television, from standing ovations at Sundance to the Best Picture award at the Oscars. With special guest appearances from stars, creators, and critics, our expert hosts dive into the power and glamour of Hollywood, as only Vanity Fair can. For more on Little Gold Men, visit vanityfair.com/podcast/little-gold-men
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I just listened to the interview Katey Rich and Richard Lawson did with Louis Virtel the morning after the Oscars. It was a total delight, and emphasized how well Katey can keep a conversation flowing and guide it so that there is a beginning, middle and end (not just with interviews, but panel discussions as well). She makes it seem effortless, and her conversational pattern with Richard is so enjoyable. I hope she will be reinstated at Vanity Fair soon and be able to come back to Little Gold Men. She is missed.
Katey Rich is the foundational magic of this show. The show has dealt with cycling major voices out over time yet managed to survive (even losing the fantastic Joanna Robinson!) and there’s not much bad to say about its various continuing contributors (Richard Lawson is particularly great with his quick wit). However, the show really excelled with Rich’s presence on many levels. A great sense of flow to keep things on track, warm personal knack in interviews with thoughtful follow-up questions, encyclopedic knowledge of awards minutae, (not so much a podcast thing but I appreciated the degree to which she was a mindful writer about topics outside her own life experience,) and specifically she brought an every-person engagement of award season through her lived experience. While there was a lot of valuable insight provided by her peers as feet on the ground at festivals or hearing things through industry connections, by not being in media hubs of the NY-LA scenes, Rich helped make these self-congratulatory industrial award ceremonies seem less “local” and more something for everyone to find “fun” in, if that’s their kind of thing. A lot of the other award season coverage tends to come off Moneyball and coldly data-driven and somewhat smug, but Katey Rich could somehow both seem to know raw award stats inside and out while still calling attention to the quality of films or movies as art and/or entertainment. While it seemed like she was pretty mindful to never score cheap points dunking on media she didn’t care for, I wholeheartedly trust her recommendations and wish she were still in a position to keep making a livelihood out of such a personal passion.
Love this podcast. I am not in the entertainment business but consider this an essential podcast for my life and wellness. I am a busy public interest lawyer doing rewarding, but depleting work. This podcast provides me much a needed positive space to learn from the brilliance, humor and analysis of its phenomenal hosts. I am saddened & confused by the news that Katey is (what sounds like) being moved away from this show? Katey brings powerful perspectives as a scholar of cinema, and I value her insights as a mom. In dark times we need good art, writers, and storytellers more than ever. Thank you Katey for your excellent work.
I look forward to this podcast every week, and think the mix between personal preferences and awards predictions is perfect. I’ve always enjoyed awards shows, even when I haven’t seen everything, but the way that the critics on Little Gold Men talk about the movies they love has gotten me to watch more new movies in general.
I enjoy much of their take on Oscar worthy films and actors. But this podcast loses its credibility when they push certain films and actors that fit their desire for ‘representation.’ They’re quick to imply racism when their chosen actors and narratives don’t get the accolades. It’s a turnoff for an otherwise interesting program.
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